Like many others of my generation, my earliest images of the Catskill mountains and its Jewish summer bungalow and resort communities, came directly from the 1987 movie Dirty Dancing. While my imagination will always equate the Catskills with the fictional Kellerman’s and the popular mythology of real-life Kutcher’s , Andrea Simon’s new book Floating In The Neversink showcases the summer Jewish experience in the mountains in an equally engaging, if much harsher narrative.
Floating In The Neversink is a complex and tightly woven “novel in stories” told from the perspective of young Amanda (Mandy) Gerber. A pre-teen when the book opens in 1955, it follows Mandy through her adolescence and high school years, recounting her summers with her extended family in the Catskills and the other seasons back in Brooklyn. Simon’s remarkably detailed descriptions of these settings are an immersive treat for her readers, being gritty enough to overcome any over-enthusiastic nostalgia. And as the book includes subject matter related to the sexual assault of children, mental illness, racism, and suicide, readers should be prepared with trigger warnings.
Yet even as Simon’s writing exposes the sharper edges of the Catskills for Mandy and her family, it also celebrates the best of these memories. Her deep relationships with her grandmothers and seeing how Mandy, and her sister and cousins are shaped by their shared experiences, is a joyful tribute to family that shines out from the underlying dark conflicts. Over the course of the stories, Simon deftly unfolds the nuances of her characters, all of whom are humanly imperfect, yet all of whom remain somewhat shadowy around the edges. This is the essential challenge of the book as a collection of short stories. It succeeds because of the strong continuity and its detailed character development. It succeeds when understood as a series of memories, but readers will be left without the whole of Mandy’s story.
Will readers be satisfied with this sense of incompleteness? Floating In The Neversink demands that its protagonist accept that there are things that can’t or won’t be discussed. That there are secrets and things that are unknowable in every family. And Simon doesn’t give her readers any more insight than she allows to Mandy. The result, is a thought-provoking and beautifully written book that will challenge how its readers think about how an individual weaves the tapestry of her family’s collective memory.
BooksAndBlintzes..com received an advance review copy of the book for the express purpose of writing this review. Its contents are solely those of its author.